Should I Use A Linkedin Background Photo

Photography tin can exist very technical, especially in the digital historic period. Simply photography is, at it's core, fine art. You can take a technically perfect photo that's utterly boring and a technically imperfect photograph that's a lot more interesting.

Allow'south compare two shots. This is a technically perfect exposure. Everything is in focus, the highlights and shadows both have detail, and…it's completely dull.

This, on the other manus, isn't as technical a photo. I took it with my iPhone through a aeroplane window as we flew over the Alps. It'due south grainy, over-exposed in places, and not totally sharp considering of the window in the style. But it'south much more interesting.

RELATED: How to Use a Limited Color Palette for Better Photos

Now, I'm non going to offset going all abstract and artsy with you, but here are some techniques that volition help you create better, more interesting photos. I've already covered how to use limited color palettes to necktie everything together, and then permit's talk near creating images with foregrounds, midgrounds, and backgrounds.

Foreground, Midground, and Background

Almost every photo has a foreground and a background; most also take some sort of midground. The foreground is simply the parts of the image that are closest to the camera, the background is the parts that are further abroad, and the midground falls somewhere in the middle. Hither are a few examples.

In this photo, the model is the foreground, the out of focus copse are the background. In that location'south not much midground to speak of.

In this photo, the bounding main and shadows are the foreground, the Santa Monica pier is the midground, and the setting sunday and heaven are the background.

In this one, the big Joshua tree is the foreground, the ones towards the back the midground, and the starry sky the background.

At that place are obviously some grey areas to this. The foreground often transitions into the midground into the background. The foreground tin can too be out of focus, with the field of study in the midground such as in this shot beneath.

Filling the Frame

One photography tip you might have heard is to "fill the frame". What this ways is that there shouldn't exist expressionless space in your image. The simplest way to fill the frame, is to brand certain there is something interesting in the foreground, midground, and background of every shot y'all take.

Here's a sunset photo I took apace at the beach. The light is beautiful, only it's all a chip…meh. The colors are cool but in that location is nothing else going on here. Information technology's literally just a photograph of the light.

Compare that to this photo I put some time and idea into. It was shot at sunrise instead of sunset, only it still has beautiful light. The biggest difference is that in that location's something interesting going on in the foreground. Rather than the image being 80% dead space, it's lxxx% interesting things.

How to Starting time Using the Foreground, Midground, and Groundwork

There's one elementary play a joke on to commencement composing stronger images by filling the foreground, midground, and groundwork of your images: think before you press the shutter push. When I took the bad sunset photograph in a higher place, I'm sure there was something near by that could have made for a more interesting foreground if I'd just looked for information technology. Instead, I merely hit the shutter push as fast as possible.

For the good photograph, I just took a few minutes to play effectually with different compositions until I establish something I liked. And then I pressed the shutter button. In one case you first thinking deliberately, y'all'll automatically starting time taking stronger photos.

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Ane of the easiest ways to offset using the foreground is to get close to something with a broad bending lens. In the photo beneath, I was merely a few anxiety away from the rocks which brand up the foreground, the midground and background then just happen naturally.

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If you're taking portraits, y'all probably won't take much of a midground, but the background is even more important. A bad background can distract from an otherwise neat portrait. Use a wide aperture and a skilful portrait lens to make the discipline the foreground and isolate them from the background similar I've washed below.

An isolated, blurry background doesn't accept to exist boring. It's however function of the image so play around with different textures and objects behind the subject.

As with any photography "dominion", play around with it and feel free to break information technology if y'all've got a skillful reason to. Sometimes your best photos will fly in the face of every convention.

While saying "brand sure your photos have a foreground, a groundwork, and, if possible, a midground" might seem like super obvious advice, yous'd be surprised at how many photographers fail to listen it. Start thinking virtually what elements are in each -ground when y'all accept your photos and I guarantee you'll become a better photographer.